Banner Stands for Promotional Requirements

Banners and posters are a very essential part of every promotional campaign. They are available in different sizes and shapes that allow perfect exposure to brands and company names. There are billboards and other places of public attention and thoroughfare where these are placed for perfect visuals.

They are also used in various exhibitions and campaign get-togethers or even seminars and meetings for companies. The regular use of banners at public places like theaters and film theaters is a common scene.

The presence of different sizes in which these come also calls for their requirement in some cases. These help the display banner to be held at both ends in a firm manner so that there is a full exposure at all times. They are available in different shapes and sizes to be able to accommodate the banners of different types.

There are pop-up stands and then there are exhibition stands; there is a range of retractable ones and there is also a range of stands meant for exterior display.

However of all the ones that is used for interior displays especially at events and gatherings there is a common use of pop-up types. These are assembled to hold fabrics for graphic display. There is a nonstop and continuous display of images and literature that appears and then fades away to be replaced by another.

There are simplistic forms used for exterior displays and banner stands. These are at times like an easel and at others are like a frame like structure which can hold them r at both ends. There is another version of this stand in rigid styles where posture is affixed side to side with firmness.

There are several companies that are engaged in the business required for professional purposes at various levels. These are always improvised and improved upon with the motive of bringing about a better look and firmer exposure for the fabric that has been affixed to it.

Companies are also equipped to understand your requirements and suggest different designs of these according to the types of requirements or events and programs that you have in mind. These are permanent in nature and thus the expenditures will always be made once. The quality is always of the highest range that will stay good even when you store them properly for future uses.

Get La Dolce Vita in Rome

Rome is known as the ‘eternal city’ and there is no doubt that its appeal to visitors – whether on educational travel excursions or just visiting for pleasure – is, indeed, eternal. It has attracted visitors for many decades and was always a stop of the Grand Tours that were popular from the 17th to the 19th centuries. It’s easy to see why visitors have flocked to this marvellous city, and these are just a few of the reasons.

Inspirational Settings

The Baroque beauty of The Spanish Steps is perhaps one of the iconic sights of Rome and it has been the backdrop to many of the great filmic moments of this city. The 1991 film, The Talented Mr Ripley, which was adapted from Patricia Highsmith’s novel of the same name, used the CafĂ© Dinelli on the Piazza di Spagna at the foot of the steps as a setting. Another great filmic moment was also filmed there, with Audrey Hepburn eating a gelato in Roman Holiday.

However, it’s not only film lovers that will be inspired by a visit to the Spanish Steps during their educational travel excursion; literature fans will be following in the footsteps of the English Romantic Poets Keats and Shelley. Both of these poets loved Rome and on the right hand side at the foot of the steps, at 26 Piazza di Spagna, you will find a museum dedicated to them. The house was the final home of John Keats, who died there in 1821 when he was 25. His bedroom is preserved as a shrine and a wonderful collection of artefacts is housed in the museum; there is also a library containing around 8,000 works. The Museum also has a bookshop, a gift shop and a small cinema where they show a film about the Romantics. There are also two beautiful terraces from which you can get great views of the area.

If you feel energetic enough to climb the steps, turn right at the top and follow the Via Crispi to the Porta Pinciana. Continue on and you can turn right into the Via Veneto, which was once known as the most elegant street in Rome. Unfortunately it bears little resemblance to the elegant thoroughfare used in Marcello Mastroianni’s film La Dolce Vita, but is still worth a visit with its faded glamour.

Many of the stars who used to film at the Cinecitta Studios hung out in the many hotels, bars and restaurants that were once here – Richard Burton and Audrey Hepburn among them. The stars have all moved on but you can still visit the studios where they filmed most of Federico Fellini’s films. Cinecitta was founded by Mussolini, as he was a strong believer in the power of cinema. The studios went on to make some of the epic classic films, such as Ben-Hur and Cleopatra. One of the more recent international films to be filmed there was Scorsese’s Gangs of New York. Students can visit the studios but bookings must be made in advance.

For film buffs or literary students, a visit to Rome during an educational travel experience will take them to the places that have inspired great work and where great works have been created.

Stuck Beyond the Rainbow in the Balkans – Today’s Gay People Trapped in Yesterday’s World

It’s easy to forget with all of the other ethnic, social and economic problems that the people of the former Yugoslav republics face, but intolerance toward gay people in this region can be particularly cruel and violent. This is a first look at homophobia, Kosovo style.

The courageous and pioneering documentary, Beyond the Rainbow, was written and directed by Ismet Sijarina and produced by Kastrati Cooper for Crossing Bridges Production. “Crossing bridges” is a particularly significant phrase in a Kosovar context, as the simple act of straying across the wrong one can be deadly for the Albanian residents of this province of Southern Serbia. The symbolism works well for gay people as well, as they must be doubly concerned about wandering into dangerous territory. There are many bridges that need crossing in this part of the world, and many people massing on one side yearning to get to the other. In this case, it’s the bridge over the chasm of dangers that separate the dark, secret world that Kosovar gays are forced to live in and the world that they can see and here just across the way in western Europe. They can look across at what people in other European societies have been able to achieve, but it is solace and torment in equal parts. They have the unpleasant choice of staying locked up in their dark houses staring across the divide, or they can make a run for it, across the dangerous bridges, dodging the snipers that exist all around them.

A considerable amount of time in this documentary is given over to interviews of four gay men, who sit uncomfortably perched on stools, silhouetted in shadows to protect their identities, talking about their feelings, their fears, their humiliations and their hopes. The story is often told between the lines: the way they make excuses for the actions of others, the way they spin their own rationales in ways that western gays would never dream of explaining themselves, the way that some of them put up smokescreens of bisexuality to hide from others and from themselves. This is unfamiliar territory for Western Europeans, like the societies of sixty years ago, when there was no freedom for gay people, not even in their own minds. In fact, one of the characters says that people cannot allow themselves to be free neither in their actions nor in their thoughts. This mental prison is taken up again in the recurring staged scene in which a gay man debates with his embittered alter ego, which ridicules his sexual orientation and almost succeeds in convincing him to accept the deception.

Other citizens speak as well, including social workers and religious spokesmen. A lesbian who is eloquent about her situation, says in contrast to the religious figures, that we live heaven and hell right here on earth, and the interviews given by young straight men on the street, as they cruelly mock the calls for gay rights, is a frightening reminder of the physical danger that the silhouetted interviewees face.

I saw this film in Sarajevo, a city that itself has lived through the era of deadly bridges. It was just a decade ago that the low, lyrical bridges that span the river throughout the city were some of the most dangerous urban places on earth. And yet today, in this peaceful place, it seems so impossible, so absurd. But what about those other bridges that the gay people of Kosovo are so worried about? Do the gay Sarajevans have any better access than their Kosovar cousins? Sadly, the answer is, just barely. It seems that even here, in this intelligent, cosmopolitan city, homophobia is rampant as well. There isn’t even one gay bar in Sarajevo, and the one organization that holds gay parties every month or so, does it with hired security guards. While the film festival was going on, the gay organization announced that it would organize Bosnia’s first gay pride march in June, 2008, and the news was immediately taken up on the front page of a scandal sheet, ready to stir up trouble for the benefit of circulation. Even here, where people have lived through years of suffering over foolish sectarian divisions, that shameful homophobia still holds sway.

Beyond the Rainbow is a proud, courageous film that reminds us that there is still much work to be done to chase out the secret ghosts lurking in ex-Yugoslav societies. Some bridges are peaceable thoroughfares, for sure, but there are many more that still need to be secured, and all declarations of victory are still very premature.